The word "spurn" has been employed across literature as a versatile term encapsulating rejection, disdain, or deliberate refusal. In works such as Austen’s Emma [1] and Brontë’s Wuthering Heights [2], it conveys a refusal of assistance or pity that underscores a character’s pride or emotional detachment. At the same time, in Shelley’s Frankenstein [3, 4, 5, 6, 7, 8] the term deepens its impact by expressing the profound sorrow of a creature rejected by its creator, evoking themes of alienation and existential despair. Meanwhile, in the varied usages by Robert Burns [9, 10, 11, 12] and Thomas Carlyle [13, 14], "spurn" navigates expressions of contempt or deliberate dismissal in both personal and societal contexts. Even in works like those of Dickens [15, 16] and Dante [17], the word resonates as a powerful marker of separation and repudiation, affirming its multifaceted role in exploring human relationships and moral judgments in literature.