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The term "quintessence" has been used in literature as a powerful metaphor for the pure, distilled essence of an idea, quality, or even a physical phenomenon. In some works, such as Fitzgerald’s portrayal where an "arrow-collar taste" becomes the quintessence of romance ([1]), it transforms an abstract emotion into its most vivid and idealized form. In other texts, the word takes on almost magical properties—for instance, Rabelais describes a mystical "Quintessence" that cures the sick with a song ([2], [3]), suggesting a substance of sublime power. Meanwhile, figures like Napoleon and Jefferson invoke the term to encapsulate the very core of their sentiments and diplomatic ideals ([4], [5]), while others use it ironically or critically to highlight exaggeration or reductionism in art and thought ([6], [7], [8]). Thus, across a diverse range of contexts, "quintessence" serves as a versatile and evocative device to denote that which is most essential and defining.
  1. She regarded him gravely, his intent green eyes, his mouth, that to her thirteen-year-old, arrow-collar taste was the quintessence of romance.
    — from This Side of Paradise by F. Scott Fitzgerald
  2. the Quintessence cured the sick with a song.
    — from Gargantua and Pantagruel by François Rabelais
  3. Chapter 5.XX.—How the Quintessence cured the sick with a song.
    — from Gargantua and Pantagruel by François Rabelais
  4. Are you not the soul of my life, and the quintessence of my heart's affections?
    — from Napoleon's Letters to Josephine, 1796-1812 by Emperor of the French Napoleon I
  5. This was the quintessence of diplomacy.
    — from The Declaration of Independence of the United States of America by Thomas Jefferson
  6. It was the flesh of his wife, her being continued, a sort of quintessence of herself.
    — from Complete Original Short Stories of Guy De Maupassant by Guy de Maupassant
  7. The bitterest quintessence of pain is its helplessness, and our incapacity to abolish it.
    — from The Life of Reason: The Phases of Human Progress by George Santayana
  8. One might say that it gives us the very quintessence of pedantry, which, at bottom, is nothing else than art pretending to outdo nature.
    — from Laughter: An Essay on the Meaning of the Comic by Henri Bergson

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