The term “polyglot” appears in literature with a diverse range of applications, often symbolizing a blending of languages, ideas, or cultures. In George Santayana’s discussion of non-dialectical morality, for instance, “polyglot” is used metaphorically to denote a mix of impulsive ethical responses—what he terms “prerational morality” [1, 2]. Similarly, the term labels compilations of texts or proverbs, as seen in titles like A Polyglot of Foreign Proverbs and the Complutensian Polyglot, which highlight collections gathered from various linguistic sources [3, 4, 5]. In narrative fiction, authors such as Bram Stoker, Jules Verne, and H. G. Wells employ “polyglot” to describe characters noted for their multilingual abilities or idiosyncratic expressions, thus enriching both their characterizations and the texture of dialogue [6, 7, 8, 9]. Even in journalistic or encyclopedic contexts, “polyglot” is harnessed to evoke the dynamism of multiple languages coexisting [10, 11, 12]. This multifaceted usage underscores the word’s capacity to evoke both literal multilingualism and metaphorical mixture.