In literature, “mine” is not just a simple possessive pronoun but a tool that conveys deep personal, emotional, and even cultural nuances. Authors employ it to assert intimate claims of ownership over tangible objects, abstract ideas, or even parts of oneself. For example, in Shakespeare’s works, “mine” repeatedly underscores personal identity and the stakes of interpersonal relationships, as seen when characters emphasize what is indisputably theirs ([1], [2], [3]). In other texts, such as those by Dickens and Homer, “mine” highlights both a sense of individual entitlement and the burden or pride of possession—whether in relation to cherished objects or personal attributes, like trembling hands or searching eyes ([4], [5], [6], [7], [8]). Even in more poetic and archaic examples, “mine” lends a cadence and gravity to the prose that enriches the texture of language ([9], [10]). Overall, the varied uses of “mine” in literature illuminate how deeply intertwined ownership and identity can be, serving as a constant reminder of the personal stakes embedded in every claim.