The word “form” in literature functions as a flexible and multifaceted term, serving to describe everything from physical shape to abstract structure and even stylistic conventions. In some texts, it conveys tangible architectural or natural attributes—as when Gibbon depicts a quadrangular structure with towers ([1]) or Gilman presents a granite protrusion in solid form ([2]). In other instances, “form” assumes a metaphorical or symbolic quality, capturing dynamic, transformative states like the “living form” that greets the observer with indescribable joy ([3]) or the mutable appearance of deities and heroes ([4], [5]). Philosophical and political writings also employ “form” to denote the underlying structure of ideas or institutions, evident in discussions of the abstract frameworks of reason ([6], [7]) and the organizational patterns of government ([8], [9]). Thus, across genres and contexts—from physical descriptions to the examination of abstract principles—the concept of “form” shapes and informs the way writers articulate both the seen and the unseen.