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Across a wide range of literary works, the term "adapt" appears as both a literal and metaphorical tool for transformation. In some texts, authors use "adapt" to describe the creative process of reworking a work or object to serve a new purpose—as when Vanbrugh reimagines Molière’s plays for his house ([1], [2]) or when a text is reshaped into a new narrative form ([3]). In others, adaptation takes on a more internal or existential flavor, highlighting the human ability—or necessity—to adjust oneself to external circumstances, be they social, environmental, or cultural. For instance, figures in philosophical and reflective works are urged to mold themselves to fate or changing conditions ([4], [5], [6], [7]), while in narratives and social commentary, characters and communities struggle with or embrace transformation in the face of changing customs and environments ([8], [9]). Whether describing an act of creative reinterpretation or the personal process of modifying beliefs and behaviors, literature uses "adapt" to underscore the dynamic interplay between stability and change.
  1. Vanbrugh proceeded to adapt for his new house three plays of Molière.
    — from The Declaration of Independence of the United States of America by Thomas Jefferson
  2. Vanbrugh proceeded to adapt for his new house three plays of Molière.
    — from The Spectator, Volume 1 by Joseph Addison and Sir Richard Steele
  3. This is the only portion of this story that has been previously published, and it has been entirely recast to adapt it to the narrative form.
    — from The island of Doctor Moreau by H. G. Wells
  4. 39. Adapt yourself to the things which your destiny has given you: love those with whom it is your lot to live, and love them with sincere affection.
    — from The Meditations of the Emperor Marcus Aurelius Antoninus by Emperor of Rome Marcus Aurelius
  5. The true statesman is aware that he must adapt himself to times and circumstances.
    — from Gorgias by Plato
  6. Man is an animal who more than any other can adapt himself to all climates and circumstances.
    — from Walden, and On The Duty Of Civil Disobedience by Henry David Thoreau
  7. Urged thus far, I had no choice but to adapt my nature to an element which I had willingly chosen.
    — from Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley
  8. Urged thus far, I had no choice but to adapt my nature to an element which I had willingly chosen.
    — from Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley
  9. She found it difficult to adapt herself to the customs of civilized life and suffered many fits of sickness.
    — from Introduction to the Science of Sociology by E. W. Burgess and Robert Ezra Park

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