The term "withdraw" reveals a remarkable range in literary usage, serving both literal and metaphorical functions. In some passages, it suggests a physical retreat—soldiers returning to safe positions or individuals stepping back from social or physical spaces as in the strategic repositioning of troops [1] or the act of removing a hand from contact [2, 3]. In other contexts, the word underscores an emotional or moral recession, such as the quiet extraction of personal opinions [4] or the seclusion from societal follies [5, 6]. Moreover, it can denote a deliberate moving away from established bonds or beliefs, emphasizing a withdrawal not only from physical arenas but also from intellectual or spiritual engagements [7, 8, 9]. This versatile deployment enriches narrative tension and deepens character motivations across various genres.