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Literary notes about warder (AI summary)

The term "warder" in literature serves as a multifaceted marker for guardianship and control, ranging from the mythic to the mundane. In epic and mythological works, it denotes a divine or heroic custodian—Heimdall guarding the bridge to Asgard [1] and the guardian of Odin’s shrine [2] illustrate such exalted roles. At the same time, in more realistic narratives the word takes on the role of a prison or gatekeeper figure, as seen in depictions of red-haired custodians locking prisoners away [3] or issuing orders at cell doors [4, 5]. Beyond a literal sense, "warder" is also invoked metaphorically to represent the act of guarding or preserving intangible realms, such as memory serving as the guard of the brain [6, 7]. This layered usage enriches texts by invoking both the tangible and the symbolic aspects of protection and authority.
  1. [Pg 59] waiting for him beside Heimdall, the Warder of the Bridge to Asgard.
    — from The Children of Odin: The Book of Northern Myths by Padraic Colum
  2. He is the warder of the gods, and is therefore placed on the borders of heaven, to prevent the giants from forcing their way over the bridge.
    — from The Elder Eddas of Saemund Sigfusson; and the Younger Eddas of Snorre Sturleson by Sæmundur fróði
  3. We were handed over to a red-haired and red-bearded warder, who locked us up in separate cells.
    — from Prisoner for Blasphemy by G. W. (George William) Foote
  4. Approaching the cell, they find the door opening and a warder in the act of coming out.
    — from Bleak House by Charles Dickens
  5. Besides, every one in the prison, down to the humblest warder, had grown used to Alyosha.
    — from The Brothers Karamazov by Fyodor Dostoyevsky
  6. [Lat][Quintilian]; "memory the warder of the brain"
    — from Roget's Thesaurus by Peter Mark Roget
  7. But can the memory be trained to act as the warder for all the truths that we have gained from thinking, reading, and experience?
    — from The Art of Public Speaking by Dale Carnegie and J. Berg Esenwein

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