In literature, the word "walk" functions both as a description of physical movement and as a symbolic vehicle for exploring ideas of journey, change, and social interaction. Authors use it literally to denote the act of moving from one place to another—as in the characters taking strolls through secret gardens or along quaint village paths [1], [2], [3]—while also employing it metaphorically to evoke personal growth or spiritual pilgrimage, evident in biblical exhortations and philosophical musings [4], [5], [6]. At times, a simple walk becomes a setting for intimate conversation or reflection, as characters share quiet moments or contemplate life’s transitions on familiar routes [7], [8], [9]. Moreover, the diverse settings—from bustling urban streets [10] to lonely, winding trails [11]—demonstrate how "walk" is adaptable to describe everything from leisure and healthful activity to a form of resistance or personal necessity, as seen in moments of reluctant obligation or deliberate pace [12], [13]. Thus, "walk" is a multifaceted term that enriches narrative texture by encapsulating both the physical act of traveling and the deeper, often symbolic journeys undertaken by the characters.