The word "threadbare" in literature often conveys a dual sense of physical and metaphorical deterioration. On one level, it paints vivid images of worn-out clothing, furniture, or even entire settings—invoking scenes where fabric is so overused and tattered that it epitomizes poverty or neglect ([1], [2], [3]). On another level, it is employed to characterize ideas, discourses, or narratives that have been exhausted by repetition, suggesting both the loss of originality and the erosion of vigor in thought ([4], [5], [6]). This layered application allows writers to enrich their descriptions, drawing a parallel between the literal fraying of material objects and the figurative decay of stale rhetoric or outdated customs ([7], [8], [9]).