The word thrall is deployed with rich versatility in literature, where it can denote both literal bondage and a metaphorical state of enchantment or subjugation. In some works, it refers explicitly to the condition of slavery or servitude, as when characters are confined by royal decree or historical practice [1, 2, 3, 4]. In contrast, other texts use thrall to evoke the sense of being powerfully captivated—whether by magic, overwhelming emotion, or an irresistible attraction to authority—which in turn deepens the narrative’s exploration of power and submission [5, 6, 7, 8]. This duality allows writers to blur the lines between external chains and inner captivity, enhancing the symbolic texture of their characters’ experiences.