The word “thesis” in literature serves a remarkably diverse role, functioning not only as the label for an academic declaration but also as a versatile literary device. In formal and philosophical works, for example, figures such as Kant and Plato employ the term to denote clearly numbered propositions or arguments—see [1], [2], and [3]—while authors like William James and Émile Durkheim use it in broader discourses on science and society [4], [5], [6]. Meanwhile, in narrative contexts, “thesis” appears with a playful or even ironic tone: Alexandre Dumas’s works show it woven into both spirited dialogue and casual commentary, as evidenced by its recurrence in various snippets [7], [8], [9], [10]. This dual usage underscores the term’s capacity to bridge rigorous analytical thought and everyday conversation, making it a particularly adaptable element in the literary repertoire.