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Literary notes about tetrad (AI summary)

The term "tetrad" is employed across literary genres to signify a complete or fundamental grouping of four components. In scientific narratives, it designates specific structures—whether referring to molecular valences, cellular groupings, or arrangements in botany and genetics [1][2][3]. Meanwhile, in more philosophical or mystical writings, the tetrad assumes an emblematic role, representing perfection or a primordial order as seen in allusions to elemental balance or sacred schemes like the Holy Tetrad [4][5][6]. This versatile usage underscores how a quartet, whether literal or symbolic, serves as an archetype for wholeness and symmetry throughout literature.
  1. An element having a valence of one is a monad; of two, a dyad; three, a triad; four, tetrad; five, pentad; six, hexad, etc.
    — from An Introduction to Chemical Science by Rufus P. (Rufus Phillips) Williams
  2. Thus the terms a diplococcus, a tetrad, a streptococcus, etc., are common, meaning a bacterium of the cell form and cell grouping indicated.
    — from The Fundamentals of Bacteriology by Charles Bradfield Morrey
  3. Each a single cell like the preceding, but here only one tetrad in a sporangium ripens, so that each contains only four spores.
    — from Ancient Plants Being a Simple Account of the past Vegetation of the Earth and of the Recent Important Discoveries Made in This Realm of Nature by Marie Carmichael Stopes
  4. That the tetrad should be considered to be thus complete, reminds one of the four elements, the physical and the chemical, the four continents, &c.
    — from Hegel's Lectures on the History of Philosophy: Volume 1 (of 3) by Georg Wilhelm Friedrich Hegel
  5. The adorable tetractys, or tetrad, is the formula of God; which, again, is reducible into, and is, in reality, the same with, the Trinity.
    — from Specimens of the Table Talk of Samuel Taylor Coleridge by Samuel Taylor Coleridge
  6. An oath used by the Pythagoreans, who regarded the tetrad, the sum of the first four numbers, as symbolical of all proportion and perfection; cf.
    — from The Works of the Emperor Julian, Vol. 2 by Emperor of Rome Julian

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