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Literary notes about tapestry (AI summary)

In literature, “tapestry” is employed both as a vivid, tangible object and as an evocative metaphor for complexity and interconnection. On the literal level, authors describe luxurious, intricately woven wall hangings that enhance settings—from the decorative chamber of a king ([1]) to secret passageways revealed in classic adventures ([2], [3]). Meanwhile, tapestry also serves figuratively to depict the intermingling layers of society and fate, as in Wharton’s subtle portrayal of one’s place behind the “social tapestry” ([4]). This dual usage—celebrating both the physical beauty of woven art ([5], [6]) and symbolizing the intricate, multifaceted nature of life ([7], [8])—demonstrates how the term has enriched the literary landscape, weaving together themes of craft, mystery, and human experience.
  1. The large hall was covered with costly cloth and tapestry, and adorned with great expense.
    — from Heimskringla; Or, The Chronicle of the Kings of Norway by Snorri Sturluson
  2. A door hidden in the tapestry opened noiselessly and a man in black silently advanced and stood behind the chair on which Mazarin sat.
    — from Twenty years after by Alexandre Dumas and Auguste Maquet
  3. Yes, there was the tapestry door.
    — from The Secret Garden by Frances Hodgson Burnett
  4. Lily had an odd sense of being behind the social tapestry, on the side where the threads were knotted and the loose ends hung.
    — from The House of Mirth by Edith Wharton
  5. The bed was adorned with the same rich tapestry, and surrounded with curtains dyed with purple.
    — from Ivanhoe: A Romance by Walter Scott
  6. Early one morning the queen went into the bath-room; it was built of marble, and had soft cushions, trimmed with the most beautiful tapestry.
    — from Fairy Tales of Hans Christian Andersen by H. C. Andersen
  7. They are like black holes burned by torches in a Tyrian tapestry.
    — from Salomé: A Tragedy in One Act by Oscar Wilde
  8. The cause he knew, For which he was so closely pent; And as, where'er he went, In that magnificent abode, Both tapestry and canvas show'd
    — from Fables of La Fontaine — a New Edition, with Notes by Jean de La Fontaine

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