The word "talking" in literature functions as a versatile marker of human interaction, capturing everything from lively group banter to intimate soliloquy. In some works, it connotes energetic or even revolutionary dialogue—as when Dumas hints at a “dreadfully revolutionary strain” of speech [1]—while in others it underscores ordinary, everyday conversation, such as groups converging at a door to discuss their affairs [2]. Authors also use it to reflect a character’s internal state or social commentary, evident in Chekhov’s wry dismissal of idle chatter [3] or Tolstoy’s probing reflections on why people laugh as they converse [4]. Whether employed to enhance atmosphere, develop character, or drive plot, "talking" is a simple yet effective literary tool that enriches narrative texture and highlights the multifaceted nature of human communication.