The word “stealth” in literature is often used to evoke actions that are hidden, secretive, and sometimes even morally dubious. Early poetic works, such as those by Robert Burns [1], use “stealth” to suggest a sly, almost mischievous quality—a trait of a “pawkie thief” who acts in the dark. In classical and historical texts, like Cicero’s Tusculan Disputations [2] or Carlyle’s history [3], the term conveys notions of underhandedness and illicit gain, suggesting that something valuable has been taken without open acknowledgment. The covert nature of stealth is further explored in narratives of personal or social subterfuge, as seen in works by Kipling [4], Dickens [5, 6], and Brontë [7, 8], where characters operate in the shadows either to hide their true identities or to carry out schemes quietly. Additionally, the term frequently appears in military or tactical contexts—illustrated by references in Sherman’s memoirs [9]—underscoring its association with strategic concealment. Whether in the realm of personal emotion, societal behavior, or strategic warfare, “stealth” consistently symbolizes the act of doing something out of sight, be it for survival, subversion, or subterfuge.