The term “statistician” is deployed in literature with a range of connotations that reflect both its technical rigor and its sometimes detached, even mysterious, character. For instance, E. M. Forster pairs the statistician with the poet as the one capable of tackling the unthinkable, suggesting a tension between analytical precision and creative exploration ([1]). In science fiction and social commentary, however, the statistician becomes a dynamic figure—buzzing with authority in Kornbluth’s depiction ([2]) and serving as a crucial guide in narrative settings ([3]). In legal and crime-related texts, the role is more ambivalent; Hans Gross’s work implies that pure data often falls short of revealing deeper truths ([4]). Early sociological writings by Burgess and Park underscore the statistician’s evolving notion of progress ([5], [6]), while Du Bois portrays the figure as a meticulous recorder of human progress and misfortune ([7]). Even in classic mystery, as in Doyle’s narrative, the statistician offers a brief but impactful voice of empirical assertion ([8]).