The term "sorcery" in literature has served as a multifaceted symbol, oscillating between the literal and the metaphorical across genres and epochs. In tragedies like Webster’s The Duchess of Malfi, it is invoked amid intrigue and suspicion ([1], [2]), while in historical accounts by Mackay it becomes a charge tied to moral and legal transgressions ([3], [4], [5]). Meanwhile, in fairy tales—most notably in Andersen’s works—it is both an explanation for unexplainable events and a marker of wickedness or mystery ([6], [7], [8], [9], [10]). Anthropological and religious studies, such as Frazer’s The Golden Bough, examine sorcery within a framework of positive magic versus taboo, attributing it both creative and prohibitive qualities ([11], [12], [13], [14], [15], [16]). Other texts, from Dostoyevsky to Kipling and Pushkin, further demonstrate how sorcery can represent both concrete manipulation of unseen forces and complex metaphors for personal and societal influence ([17], [18], [19]).