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Literary notes about shun (AI summary)

The word “shun” is often deployed in literature to denote a conscious effort to avoid or reject something deemed dangerous, dishonorable, or undesirable. Poets and epic writers alike employ it to convey both physical and moral distancing—for instance, as a means of eluding perilous terrain or escaping the weight of societal disgrace [1][2]. It appears in works ranging from the contemplative reflections of Emily Dickinson, where falsehood is repelled like a counterfeit presence [3], to narratives where characters steer clear of detrimental influences or situations, whether emotional estrangement or impending doom [4][5]. In each case, the term “shun” functions as a powerful indicator of aversion, emphasizing the characters’ intentional retreat from what they perceive as harmful.
  1. We pass’d Selinus, and the palmy land, And widely shun the Lilybaean strand, Unsafe, for secret rocks and moving sand.
    — from The Aeneid by Virgil
  2. To shun shame or win a name, samurai boys would submit to any privations and undergo severest ordeals of bodily or mental suffering.
    — from Bushido, the Soul of Japan by Inazo Nitobe
  3. Simplicity fled from his counterfeit presence As gold the pyrites would shun.
    — from Poems by Emily Dickinson, Three Series, Complete by Emily Dickinson
  4. “I shall be far away when you read these sad lines, for I have wished to flee as quickly as possible to shun the temptation of seeing you again.
    — from Madame Bovary by Gustave Flaubert
  5. The old man looked about him with a startled and bewildered gaze, for these were places that he hoped to shun.
    — from The Old Curiosity Shop by Charles Dickens

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