Literary notes about shun (AI summary)
The word “shun” is often deployed in literature to denote a conscious effort to avoid or reject something deemed dangerous, dishonorable, or undesirable. Poets and epic writers alike employ it to convey both physical and moral distancing—for instance, as a means of eluding perilous terrain or escaping the weight of societal disgrace [1][2]. It appears in works ranging from the contemplative reflections of Emily Dickinson, where falsehood is repelled like a counterfeit presence [3], to narratives where characters steer clear of detrimental influences or situations, whether emotional estrangement or impending doom [4][5]. In each case, the term “shun” functions as a powerful indicator of aversion, emphasizing the characters’ intentional retreat from what they perceive as harmful.
- We pass’d Selinus, and the palmy land, And widely shun the Lilybaean strand, Unsafe, for secret rocks and moving sand.
— from The Aeneid by Virgil - To shun shame or win a name, samurai boys would submit to any privations and undergo severest ordeals of bodily or mental suffering.
— from Bushido, the Soul of Japan by Inazo Nitobe - Simplicity fled from his counterfeit presence As gold the pyrites would shun.
— from Poems by Emily Dickinson, Three Series, Complete by Emily Dickinson - “I shall be far away when you read these sad lines, for I have wished to flee as quickly as possible to shun the temptation of seeing you again.
— from Madame Bovary by Gustave Flaubert - The old man looked about him with a startled and bewildered gaze, for these were places that he hoped to shun.
— from The Old Curiosity Shop by Charles Dickens