In literature, "sequacious" is employed to evoke the idea of natural, coherent progression—whether that be the seamless flow of thoughts in rhetoric, the harmonious unfolding of musical notes, or even the orderly movement inherent in human behavior. For instance, a work described as sequacious might be praised for its fluency and inevitability, as when Mozart’s compositions are deemed more sequacious [1] or nature is said to follow the lyre's cadence [2, 3]. Conversely, authors sometimes critique a lack of this quality; Emerson’s writings are labeled non-sequacious for their perceived vagueness and the resultant difficulty in grasping their meaning [4], while a disjointed narrative is faulted for failing to weld its details into a sequacious and interrelated whole [5]. In other contexts, sequacious also extends to denote a tendency toward conformity and orderliness in human society [6, 7], illustrating the term’s flexible application across literary discourse.