Literary discourse often employs "semiotic" to highlight the essential role of signs and symbols in shaping meaning. For instance, it is used to characterize symbol manipulation as a core human activity that underpins communication and identity [1]. The term is further applied to describe design processes where the creation of meaning is enacted through both communicative and contextual efforts [2]. It even reaches into anthropological territory, as authors refer to human beings as inherently "semiotic animals," emphasizing our unique capacity for sign use [3]. In contemporary debates, "semiotic" also surfaces in discussions about digital and interface design, where machines and systems are seen as active participants in the production of meaning [4][5][6].