The word “select” takes on a range of functions in literature, shifting its meaning with context. In technical and instructional texts, it frequently appears as an imperative command directing one to choose an option—examples include computer menus and digital interfaces, as seen in [1], [2], and [3]. In contrast, classical and formal writings use “select” as an adjective that implies exclusivity or refinement; for instance, phrases like “the select gods” in works by Saint Augustine ([4], [5]) or notions of “select company” in portrayals of elite social circles ([6], [7]) emphasize a distinguished group. Meanwhile, in mathematical texts and logical arguments, “select” is deployed in problem-solving contexts to denote the process of choosing specific elements from a set ([8], [9]). Thus, from technical directives and combinatorial challenges to expressions of privilege and fate, the term “select” is versatile in its application across a broad spectrum of literary genres ([10], [11], [12], [13]).