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Literary notes about seamlessly (AI summary)

The word seamlessly often conveys a sense of effortless unity and continuity within a narrative. It is used to paint images where different elements—whether visual scenes, moments in time, or architectural components—unite without any apparent transition. In one instance, the fog-enshrouded river and sky merge without interruption, creating an almost imperceptible boundary [1]. In another, moments in time flow into one another as if wrapped up in a single, continuous hour [2]. Similarly, designers describe objects and structures where elements fuse in such a natural manner that distinctions vanish, whether in the smooth curves of a shape or the carefully laid stone blocks in construction [3][4].
  1. They found a table in a little stall whose window overhung the gray, fog-swathed river which seamlessly joined gray fog-misted sky.
    — from Out of the Air by Inez Haynes Gillmore
  2. Six years rolled themselves up as with a spring, and that hour seamlessly adjoined this hour.
    — from Hagar by Mary Johnston
  3. There were no corners; everything fused together seamlessly in smooth curves.
    — from Shock Treatment by Stanley Mullen
  4. The walls themselves were heavy gray blocks of cut stone, carefully smoothed until they fit seamlessly together without mortar.
    — from The Moghul by Thomas Hoover

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