Literary works employ the term scepticism in a remarkable variety of ways, ranging from a rigorous philosophical tool to an expression of emotional or moral doubt. In some texts, scepticism is used to denote a systematic questioning of metaphysical claims and the limits of human understanding, as seen in discussions by Kant and Hume ([1], [2], [3], [4]). At the same time, other writings imbue the term with a more personal or even liberating sense—portraying it as a response to cold detachment, societal dogmatism, or the instinct to suspend belief until sufficient evidence is provided ([5], [6], [7]). Additionally, several authors depict scepticism as a dynamic interplay with knowledge itself, highlighting its role in both dismantling established doctrines and paving the way for new insights ([8], [9], [10]). This multifaceted usage underscores the enduring literary fascination with doubt as both a critical and creative force.