The term "revocation" has been employed in literature to denote the formal withdrawal or annulment of privileges, rights, or laws, often marking a pivotal historical or personal transformation. In George Eliot's use, for example, it engenders a philosophical inquiry into what is lost or preserved through acts of annulment [1]. Meanwhile, in religious and political contexts—as with the repeated allusions in Fox's work—the concept is closely tied to the dramatic and often brutal reversals of policy, notably illustrated by the revocation of the Edict of Nantes under Louis XIV, which had far-reaching effects on France's Protestant community [2, 3, 4, 5]. Stendhal, in a similar vein, frames revocation as a transformative moment in personal identity by linking it to a conversion from Protestantism to Catholicism following the revocation of the edict [6]. Through such varied usage, literature presents "revocation" both as a mechanism of societal change and as a catalyst for individual transformation.