In literature, the term “repeated” functions as a versatile tool, serving not only as a simple dialogue tag but also as a means to accentuate emotion, reinforce rhythm, or underline the significance of a recurring idea. For instance, it often appears in dialogue to indicate a character’s mechanical or habitual response, as seen when Sisa blandly echoes an exclamation [1] or when a princess calmly repeats her invitation while opening the door [2]. At times, repetition heightens the dramatic effect; characters may reiterate a phrase dreamily to convey inner conflict or longing, as with Chambers’s “beautiful and cruel” [3], or with Dostoyevsky’s incredulous inquiry, “Who is the murderer?” [4]. Beyond conversation, authors employ “repeated” in narrative descriptions to emphasize actions or events, such as in Dewey’s account of observational patterns [5] or in Thomas Jefferson’s methodical recitation of instructions [6]. This varied usage—from dialogue cues to narrative emphasis—demonstrates how a single word can enrich both character development and thematic structure across genres [7, 8, 9, 10].