Literary notes about rancor (AI summary)
Writers often use “rancor” to evoke a deep, lingering animosity that permeates personal interactions and even historical events. In dialogue, characters may explicitly renounce their bitterness—as when someone declares, “Come, let us put aside all rancor and talk pleasantly” ([1])—or reveal their concealed hostility that drives their actions and attitudes ([2]). In narrative descriptions, the word encapsulates both the intensity of personal vendettas and the broader, seething undercurrents of dispute, as seen when historical conflicts and personal betrayals alike are suffused with a sense of predestined retribution ([3], [4]). Additionally, authors sometimes contrast acts done without bitterness ([5], [6]), highlighting how the presence or absence of rancor markedly influences character dynamics and the unfolding of events.
- Come, let us put aside all rancor and talk pleasantly.”
— from Twenty years after by Alexandre Dumas and Auguste Maquet - And, added to the physical horror of this barbarous destruction, he felt an exasperated rancor against her who seemed to escape his hate.
— from The Triumph of Death by Gabriele D'Annunzio - On the 18th of June, 1815, that rancor had the last word, and beneath Lodi, Montebello, Montenotte, Mantua, Arcola, it wrote: Waterloo.
— from Les Misérables by Victor Hugo - Tirette growls at last with a rancor that gathers strength the more we unite and collect ourselves again.
— from Under Fire: The Story of a Squad by Henri Barbusse - "Then please bow as gracefully as possible to necessity," Dundee urged without rancor.
— from Murder at Bridge by Anne Austin - He accepted the dismissal without rancor and promised to return and visit us next spring.
— from The Test Colony by Winston K. Marks