Literature has long employed the term “prefix” in multifaceted ways, ranging from its traditional role in language to its metaphorical and abbreviatory functions. In scholarly works, for instance, linguistic analyses detail how prefixes like “Ed-” or “A-” serve as shorthand, modifying words to express nuances of meaning or grammatical relationships, as seen in several passages from Jefferson’s writings ([1], [2], [3]). Equally, philologists like Edmund Luce examine the phonetic adjustments of Latin prefixes, noting practices such as dropping the final consonant before two other consonants ([4], [5]). Meanwhile, in mythological and cultural narratives, prefixes denote geographical or mystical significances—illustrated by Cherokee myth explanations where prefixes mark locational or descriptive elements ([6], [7], [8]). Even in poetic and ironic settings, such as in the works of Robert Burns or Christopher Marlowe, the prefix is employed with a playful or stylistic purpose that enriches the text ([9], [10], [11]). This range of examples underscores the versatility of “prefix” as both a linguistic tool and a rich literary device.