The term "polygon" has been employed in literature in a remarkably diverse fashion, ranging from precise geometrical discourse to evocative descriptions of physical spaces. In some texts, such as those attributed to Thomas Jefferson, it is used in a highly technical sense to denote measurable figures—transforming any polygon into an equivalent square, inscribing regular polygons in circles, or even discussing polygons in relation to rotations and velocities [1, 2, 3, 4, 5]. Conversely, in literary works like Jane Austen’s letters and H. G. Wells’s narrative, the word signifies specific physical locations—a designated ground or a peculiar patch of terrain, lending a sense of spatial character to the setting [6, 7, 8, 9]. Even in translations, such as Benito Pérez Galdós’s work, "polygon" is acknowledged in its geometrical meaning [10]. This multiplicity of applications illustrates how "polygon" bridges the gap between mathematical precision and imaginative description.