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Literary notes about permeated (AI summary)

Writers employ "permeated" to convey the notion of one element thoroughly infusing or saturating another, whether it be a physical substance, an emotion, or an abstract idea. The word frequently appears in contexts that range from the literal—such as an aroma filling a room ([1]) or soil being imbued with mineral matter ([2])—to the metaphorical, where ideas, moods, or cultural influences subtly but completely infiltrate a work or society ([3], [4], [5]). In this way, "permeated" powerfully communicates both the gradual diffusion and the all-encompassing nature of its subject, whether describing the pervasive scent of a quiet space ([6]) or the deeply embedded sentiments within a person’s entire being ([7], [8]).
  1. The aroma of the roasting venison permeated the little hut.
    — from The Tarn of Eternity by Frank Tymon
  2. Now man's present physical body is not only ruled by those physical laws, but is also permeated with mineral matter.
    — from An Outline of Occult Science by Rudolf Steiner
  3. It will be recognised that all his work is permeated by his youthful impressions; he is, in fact, a virtuoso at large.
    — from The Story of Don John of Austria by Luis Coloma
  4. Both the poetry and the drama were permeated by Italian influence, which was dominant in English literature from Chaucer to the Restoration.
    — from English Literature by William J. Long
  5. The whole courtyard was permeated by a strong peaceful smell of stable yards, delightful to Pierre at that moment.
    — from War and Peace by graf Leo Tolstoy
  6. The whole place looked trim and clean, and a faint perfume of some coal-tar disinfectant permeated the air.
    — from A Woman's War: A Novel by Warwick Deeping
  7. Her whole person, permeated with the joy of youth, of innocence, and of beauty, breathed forth a splendid melancholy.
    — from Les Misérables by Victor Hugo
  8. By this time it seemed to have permeated his whole being.
    — from Under Lock and Key: A Story. Volume 3 (of 3) by T. W. (Thomas Wilkinson) Speight

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