Literary notes about parvis (AI summary)
The term "parvis" displays notable versatility in literature. In its classical usage, particularly in Latin phrases and botanical descriptions, it serves as an adjective highlighting smallness or subtle detail, as in descriptions of minute flowers or markings [1][2][3]. In contrast, it is also employed to denote a specific open space—most famously the area in front of a cathedral—as seen in the vivid portrayals of the space before Notre Dame, where the parvis becomes a setting for dramatic events and atmospheric contrasts [4][5][6][7]. Moreover, the word colors character names and dialogue, appearing as a surname or epithet (for instance, in the recurring Smith-Parvis figures), which lends a distinctive flair to interpersonal interactions and narrative tone [8][9][10][11].
- 4 partitis; a Careya, Dillenia, arborea floribus numerosis parvis luteis.
— from Journals of Travels in Assam, Burma, Bhootan, Afghanistan and the Neighbouring Countries by William Griffith - Fulva, alis anticis medio, posticisque albidis, illarum basi fulvo, maculis 6 parvis nigris, dimidio apicali obscuriori.
— from Illustrations of Exotic Entomology, Volume 2 by Dru Drury - Pachyrhynchus nigerrimus, maculis parvis squamosis plurimis viridiscenti-albidis.
— from Narrative of the Voyage of H.M.S. Rattlesnake, Commanded By the Late Captain Owen Stanley, R.N., F.R.S. Etc. During the Years 1846-1850.
Including Discoveries and Surveys in New Guinea, the Louisiade Archipelago, Etc. to Which Is Added the Account of Mr. E.B. Kennedy's Expedition for the Exploration of the Cape York Peninsula. By John Macgillivray, F.R.G.S. Naturalist to the Expedition. — Volume 2 by John MacGillivray - They fled pell-mell, hurling the beam upon the bodies, the boldest as well as the most timid, and the parvis was cleared a second time.
— from Notre-Dame de Paris by Victor Hugo - These sounds came from the Place du Parvis.
— from Notre-Dame de Paris by Victor Hugo - At the instant when he arrived, panting, on the Place du Parvis, he shrank back and dared not raise his eyes to the fatal edifice.
— from Notre-Dame de Paris by Victor Hugo - Thanks to this thicket of pikes and arquebuses, the Parvis was empty.
— from Notre-Dame de Paris by Victor Hugo - “Sunday, the 20th—that was the day he came first.” Parvis’s voice was almost inaudible.
— from Tales of Men and Ghosts by Edith Wharton - Parvis continued to scrutinize her, as if trying to intercept her gaze.
— from Tales of Men and Ghosts by Edith Wharton - Parvis took the journal from her, directing his glasses to the portrait.
— from Tales of Men and Ghosts by Edith Wharton - called Mr. Smith-Parvis loftily, signalling a passing bell-hop.
— from The City of Masks by George Barr McCutcheon