Within literature, parricide emerges as a potent term enriched with both literal and symbolic meanings. Authors employ it not only to denote the overt act of killing a parent [1, 2] but also to evoke broader themes of betrayal, degeneration, and the perversion of familial and social order [3, 4]. In some narratives, its usage lends a legal or historical gravitas—as seen when it is invoked to condemn political usurpation or moral decay [5, 6, 7]—while in others it becomes a dramatic device that heightens the tragic dimensions of a character’s downfall [8, 9]. This layering of meaning transforms the word from a mere descriptor of a heinous crime into a versatile emblem of inner corruption and societal disintegration [10, 11].