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Literary notes about mute (AI summary)

In literature, the word "mute" serves as both a literal and symbolic signifier of silence. Authors employ it to denote characters rendered speechless by shock or grief, as when a man is struck mute by an overwhelming encounter [1] or left wordless in astonishment at unfolding events [2]. At times, "mute" conveys not only physical silence but also an emotional inability to express inner turmoil, as seen in heartfelt farewells or suppressed despair [3], [4]. In other contexts, it enhances the atmosphere—transforming objects or settings into impersonal witnesses of history or tragedy [5], [6]—while also functioning in academic discourse to describe phonetic or grammatical features [7], [8]. This versatility enables "mute" to both deepen character portrayals and enrich the narrative tone across various genres.
  1. Cedric, who had been struck mute by the sudden appearance of his banished son, now rushed forward, as if to separate him from Rowena.
    — from Ivanhoe: A Romance by Walter Scott
  2. He stepped back from the keyhole; drew himself up to his full height; and looked from one to another of the three bystanders, in mute astonishment.
    — from Oliver Twist by Charles Dickens
  3. Her hands remained clasped; her lips mute; her eyes fixed; and that little shoe, thus gazed at, broke the heart of any one who knew her history.
    — from Notre-Dame de Paris by Victor Hugo
  4. She longed to bid me hasten my return; a thousand conflicting emotions rendered her mute as she bade me a tearful, silent farewell.
    — from Frankenstein; Or, The Modern Prometheus by Mary Wollstonecraft Shelley
  5. Could a statue of marble have been more impassive and more mute?
    — from The three musketeers by Alexandre Dumas and Auguste Maquet
  6. Here and there a farmhouse stood far back among the fields, mute and cold as a grave-stone.
    — from Ethan Frome by Edith Wharton
  7. An unvoiced mute before a voiced consonant became voiced.
    — from A Latin Grammar for Schools and Colleges by George Martin Lane
  8. Many verbs in -ere form their perfect stem by adding the suffix -s- to a root, which generally ends in a mute: as, Perfect Stem.
    — from A Latin Grammar for Schools and Colleges by George Martin Lane

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