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Literary notes about mulatto (AI summary)

Across a range of literary works from the 19th and early 20th centuries, the term “mulatto” is used both as a straightforward descriptor of mixed racial heritage and a marker laden with social implications. In some texts the word carries an overtly derogatory connotation, as seen in Frederick Douglass’s narrative where it harshly designates a character as a "long-legged mulatto devil" [1]. In other works, such as Stowe’s Uncle Tom's Cabin and writings by Du Bois, “mulatto” functions as a factual identifier while simultaneously exposing the complex social hierarchies and stigmas attached to mixed ancestry [2, 3, 4, 5]. Moreover, the term is also appropriated in sociological and cultural analyses to underscore the persistent marginalization of individuals of mixed race, as noted in the works of Burgess, Park, and others [6, 7, 8]. This multifaceted usage reflects the broader tensions of identity, race, and power embedded in the literature of the period.
  1. But for you, you long-legged mulatto devil!
    — from Narrative of the Life of Frederick Douglass, an American Slave by Frederick Douglass
  2. “The man is a very light mulatto; he has a brand in one of his hands.”
    — from Uncle Tom's Cabin by Harriet Beecher Stowe
  3. The boy was a handsome, bright-eyed mulatto, of just Henrique’s size, and his curling hair hung round a high, bold forehead.
    — from Uncle Tom's Cabin by Harriet Beecher Stowe
  4. She had been married to a bright and talented young mulatto man, who was a slave on a neighboring estate, and bore the name of George Harris.
    — from Uncle Tom's Cabin by Harriet Beecher Stowe
  5. First , he ought never to have been born, for he was the mulatto son of a white woman.
    — from Darkwater: Voices from Within the Veil by W. E. B. Du Bois
  6. The Mulatto in the United States.
    — from Introduction to the Science of Sociology by E. W. Burgess and Robert Ezra Park
  7. It is not too much to say that no Negro and no mulatto, in America at least, has ever been fully in the white man's world.
    — from Introduction to the Science of Sociology by E. W. Burgess and Robert Ezra Park
  8. The Mulatto as a Cultural Type.
    — from Introduction to the Science of Sociology by E. W. Burgess and Robert Ezra Park

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