The word "mosaic" in literature has been employed with a rich variety of meanings and connotations. In some texts, it refers directly to the Biblical accounts and religious laws, evoking the ancient Mosaic tradition that underpins Judeo-Christian thought, as seen in references to the Mosaic account of creation and the Mosaic law itself ([1], [2], [3], [4], [5]). In other works, "mosaic" serves as a metaphor for composite beauty and complexity—a collection of disparate yet interconnected parts that together create a unified whole. This imagery appears when describing vivid scenes or patterns in art and daily life, from the fluid movements of characters ([6]) and social landscapes configured as disparate, segregated "little worlds" ([7]), to the physical beauty of ornate mosaic floors, tables, and portraits in architecture and decorative arts ([8], [9], [10]). Additionally, the term is utilized in technical or abstract settings, suggesting layered, structured systems in coding and design ([11]). Through these diverse applications, "mosaic" encapsulates the interplay of the sacred and the aesthetic, the literal and the metaphorical, highlighting the enduring literary appeal of its multifaceted imagery.