The term "misrepresent" in literature has been employed as a powerful critique of distortion and misunderstanding across a variety of contexts. For instance, Fyodor Dostoyevsky uses it to expose both personal misinterpretations and deliberate whitings of fact, as seen in his depiction of a character's fanciful misrepresentation of reality [1] and his insistence on factual clarity [2]. Similarly, writers like Griffis highlight the unintentional misrepresentation inherent in cross-cultural communication [3], while others, such as Rousseau's interpreters, use the term to warn against altering philosophical positions to suit one's own agenda [4]. In works by George Santayana and others, the term extends to broader socio-political misrepresentations, suggesting that governments may distort the genuine interests of their citizens [5], and even personal narratives can be manipulated, as Dickens illustrates with characters who both observe and misrepresent one another [6]. This varied usage underscores how "misrepresent" serves as a critical tool for questioning authenticity and integrity in both individual perceptions and institutional practices.