In literature, the word "microcosm" is frequently employed as a versatile metaphor to represent a smaller, self-contained system that reflects larger, more complex wholes. For instance, Mary Wollstonecraft depicts individuals and families as embodiments of a broader state structure [1], while Yogananda uses the term to describe a limited, self-imprisoned realm in contrast to the vastness of the universe [2]. Rabelais, in his varied narrative styles, applies "microcosm" both to the intricate play of sounds during a carnival [3] and to the dynamics of social interaction where lending and borrowing mirror a complete model of society [4], underscoring its expansive reach. In a different vein, Twain characterizes a city like Washington as a concentrated showcase of diverse social forms within a mile's radius [5]. Beyond societal reflections, the concept stretches into the domains of both the bodily and the metaphysical, with examples illustrating the body's operations as microcosmic representations of a universal order [6, 7] and highlighting the idea that every individual inherently mirrors the entirety of the world [8, 9]. Additional literary instances extend the metaphor into economic puzzles [10] and personal dramas [11], further cementing "microcosm" as a powerful and multifaceted symbol across genres and eras [12, 13, 14].