In literary works, the term "lithograph" has appeared in a variety of contexts, reflecting its use as both a method and an artifact of visual and cultural expression. In some instances, it designates the production of striking title-pages or unique illustrations, as seen when Kietz was assigned to lithograph a magnificent title-page [1]. Meanwhile, the work of artists like Charlet is highlighted not only for its aesthetic appeal but also for its role in documenting significant events, such as the incident he depicted [2] and his contribution to works involving historical narratives [3]. Additionally, lithographs have been featured as collectible items with cultural and economic value, exemplified by the vividly colored tobacco box depiction mentioned in Bret Harte’s tale [4]. Finally, some works hint at the less acclaimed, yet notable, contributions of certain artists, as Léon Noël's lithograph is remembered for its obscurity [5].