The term "lich" appears in literature with a rich tapestry of meanings, evolving over time and context. In medieval and early texts it can denote a state of lifelessness or be linked with death, as seen in its use to label a "corpse-gate" where a body may lie during a funeral procession ([1], [2]). At the same time, the word also surfaces in poetic and descriptive contexts to suggest a resemblance or likeness, as in archaic verse where it conveys characteristics comparable to a beast or an age-long figure ([3], [4], [5]). In later literary works, such as those by Tolstoy, variations like "Savélich" and "Vasílich" illustrate its adaptation into colloquial language, enriching character dialogue and regional flavor ([6], [7], [8], [9]). Moreover, its architectural application—as in structures marking churchyards and village entrances—emphasizes the term’s enduring association with transitions between worlds, both physical and metaphysical ([10], [11], [12]).