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Literary notes about leering (AI summary)

The adjective "leering" is often used in literature to evoke a sense of sinister, lascivious, or mocking scrutiny. Its usage frequently imbues a character or even an inanimate quality with a disquieting, predatory aura, suggesting a gaze that is both calculating and morally suspect. In some works, such as Joyce’s Ulysses [1] and Wilde’s The Picture of Dorian Gray [2][3], the term accentuates characters’ dubious intentions and unsettles the reader, while in other narratives it underscores the corrupt or even grotesque ambience by describing faces that leer with malevolence or insolence, as seen in Crane’s portrayals [4][5]. This multifaceted application highlights the word’s power to transform mere observation into a symbol of deeper, often ambiguous, threat.
  1. Bantam Lyons doubted an instant, leering: then thrust the outspread sheets back on Mr Bloom’s arms.
    — from Ulysses by James Joyce
  2. As he did so, he saw the face of his portrait leering in the sunlight.
    — from The Picture of Dorian Gray by Oscar Wilde
  3. An exclamation of horror broke from Hallward's lips as he saw in the dim light the hideous thing on the canvas leering at him.
    — from The Picture of Dorian Gray by Oscar Wilde
  4. They kept close to him, taunting and leering.
    — from Maggie: A Girl of the Streets by Stephen Crane
  5. The men said it blissfully, leering at each other with dirty smiles.
    — from The Red Badge of Courage: An Episode of the American Civil War by Stephen Crane

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