The term "leaflet" has been employed in literature in two notably distinct ways. In botanical texts, it refers to the individual segments of a compound leaf, with detailed descriptions emphasizing shape, size, arrangement, and occasional morphological peculiarities such as the replacement of a terminal leaflet by a stylet or thorn ([1], [2], [3], [4], [5], [6], [7], [8], [9]). These technical accounts also note variations in leaflet number and margin characteristics, underscoring an analytical approach to plant identification and classification ([10], [11], [12]). In contrast, the word appears in literary and periodical contexts to denote a small printed document or brief periodical publication—with uses ranging from the conveyance of subversive ideas to poetic imagery, as seen in Dostoyevsky’s narrative of a five-line leaflet almost leading to his capture ([13], [14], [15], [16]). This dual usage highlights the term’s versatility, bridging rigorous scientific description and expressive literary function.