The term "interview" in literature appears as a versatile narrative device, employed to denote meetings that range from formal and confidential parley to spontaneous declarations of intent. In many classical works, such as Dostoyevsky’s depiction of a princely audience ([1], [2]) or Napoleon’s strategic gatherings ([3], [4]), the interview serves as a crucial juncture in the unfolding drama of governance and power. Conversely, in works like Edward Gibbon’s account of a personal interview concerning marriage proposals ([5]) or the intimate conversations captured in Marie Lebert’s series of recorded interviews ([6], [7], [8]), the word takes on a more personal and introspective quality. From the terse formal exchanges in Casanova or Clashi narratives ([9], [10]) to the subtle, sometimes ironic moments in novels by Charles Dickens and Wilkie Collins ([11], [12], [13]), the interview is a literary construct that encapsulates the moment of revealing, negotiating, or questioning—highlighting its enduring role as a window into character and conflict.