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Literary notes about hover (AI summary)

The word “hover” frequently functions as a bridge between the tangible and the ethereal in literary texts. Authors use it to depict characters or objects suspended mid-air—whether to evoke a sense of lingering mystery as an angel’s wings flutter above a sleeping child [1, 2, 3] or to suggest a spectral presence that unsettles the narrative, like a ghost or an abstract idea that hangs over events [4, 5, 6]. In other works, it captures a moment of indecision or the ephemeral quality of thought, mirroring the way memories or unresolved emotions seem to linger [7, 8, 9]. Additionally, modern texts have employed “hover” in digital contexts to indicate interactive elements that reveal further information when a pointer rests over a word [10, 11, 12].
  1. Sweet Sleep, angel mild, Hover o’er my happy child!
    — from Songs of Innocence and of Experience by William Blake
  2. And, for the raven, wake the morning lark, That I may hover with her in the air, Singing o'er these, as she does o'er her young.
    — from The Jew of Malta by Christopher Marlowe
  3. Save me and hover o’er me with your wings, You heavenly guards!
    — from The Complete Works of William Shakespeare by William Shakespeare
  4. oh why do your wings droop as we hover above this fair star—which is the greenest and yet most terrible of all we have encountered in our flight?
    — from The Works of Edgar Allan Poe, The Raven Edition by Edgar Allan Poe
  5. We are surely doomed to hover continually upon the brink of Eternity, without taking a final plunge into the abyss.
    — from The Works of Edgar Allan Poe — Volume 1 by Edgar Allan Poe
  6. But her words, so light, so soft, so chill, seemed to hover in the air, to rain into his breast like snow.
    — from The Garden Party, and Other Stories by Katherine Mansfield
  7. Early images hover about primary wants as highest conceptions do about ultimate achievements.
    — from The Life of Reason: The Phases of Human Progress by George Santayana
  8. It is not—happily for you, perhaps, and I may wish that I could say the same—it is not your character to hover around one flower.
    — from Bleak House by Charles Dickens
  9. How often have I hover'd at the edge of a crowd of them, to hear their repartees and impromptus!
    — from Complete Prose Works by Walt Whitman
  10. They are marked in the text with mouse-hover popups .
    — from The Fables of Phædrus by Phaedrus
  11. Hover your mouse over words underlined with a faint red dashed underline to see them.
    — from Russian Fairy Tales: A Choice Collection of Muscovite Folk-lore
  12. Hover your mouse over these words to see the original text or a note about the amendment.
    — from Russian Fairy Tales: A Choice Collection of Muscovite Folk-lore

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