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Literary notes about hieroglyphics (AI summary)

The term "hieroglyphics" has been embraced by authors both as a literal reference to ancient Egyptian script and as a potent metaphor for the mysterious or unreadable. In some works, it denotes actual inscriptions—for example, Rabelais playfully claims ownership of all Egyptian hieroglyphics [1], and Strabo provides a historical account of a pillar inscribed with them [2]. At other times, the word is employed metaphorically to describe encounters with the enigmatic or the inscrutable, as Schopenhauer likens complex ideas to hieroglyphics [3] and Coleridge portrays an entire book of judgment rendered in mysterious symbols [4]. This dual usage further extends to capturing the decorative and symbolic nuances in art and nature, seen in works where hieroglyphics adorn walls [5] or even the very features of a face [6]. Together, these examples underscore how "hieroglyphics" serves as a versatile literary device, evoking the allure of ancient mystery while symbolizing the broader challenges of interpretation.
  1. By the Queen of the Chitterlings, quoth Panurge, all the hieroglyphics of Egypt are mine a— to this jargon.
    — from Gargantua and Pantagruel by François Rabelais
  2. Here it is said is a pillar of Sesostris the Egyptian, on which is inscribed, in hieroglyphics, an account of his passage (across the Arabian Gulf).
    — from The Geography of Strabo, Volume 3 (of 3) by Strabo
  3. [pg 126] and stand before us like hieroglyphics which we do not understand.
    — from The World as Will and Idea (Vol. 1 of 3) by Arthur Schopenhauer
  4. And this, this, perchance, is the dread book of judgment, in the mysterious hieroglyphics of which every idle word is recorded!
    — from Biographia Literaria by Samuel Taylor Coleridge
  5. Its walls were richly painted all over, within and without, with hieroglyphics.
    — from The Works of Edgar Allan Poe, The Raven Edition by Edgar Allan Poe
  6. Clare regarded her attentively, conned the characters of her face as if they had been hieroglyphics.
    — from Tess of the d'Urbervilles: A Pure Woman by Thomas Hardy

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