The word "garden" in literature often transcends its literal meaning to evoke a space of cultivation, refuge, and transformation. In Voltaire’s Candide [1], for example, the garden becomes a metaphor for self-improvement and responsible stewardship, while in Dickens’s works [2, 3] it frequently denotes a threshold between the public world and a more intimate, controlled private realm. In contrast, for writers like Frances Hodgson Burnett [4, 5, 6, 7, 8, 9, 10], the garden is a mysterious, even enchanted space that harbors secrets and potential for personal rebirth. Authors such as Edgar Allan Poe [11, 12] and Victor Hugo [13, 14, 15, 16, 17] use the garden not only as a vivid setting for beauty and art but also as a symbol of decay and neglected promise. Beyond these physical spaces, the garden sometimes takes on an idealized, almost philosophical dimension, as seen in Santayana’s portrayal [18] where it represents a fertile ground for ideals and creative impulse. Overall, whether as sanctuary, social arena, or symbol of moral and personal cultivation, the garden remains a versatile and powerful literary trope.