The word "frame" is employed in literature in multiple dimensions, often serving as both a literal and metaphorical device. At times, it denotes a physical structure—a tool for constructing images or defining spaces, as seen when a mirror's border is likened to an oyster-shell frame [1] or when architecture is described in terms of its wood and window frames [2], [3]. In other instances, it metaphorically expresses mental or emotional states, capturing the transient mood of a character; for example, a character might be described as being in a certain "frame of mind" imbued with hope or despair [4], [5], [6]. Moreover, the term extends to the conceptual realm, connoting the act of constructing, organizing, or arranging thoughts and narratives, such as when one "frames" words to articulate harsh sentiments [7] or arranges ideas as though setting them within a deliberate pictorial frame [8]. This versatility highlights the word’s enduring power to bridge tangible reality with the abstract contours of thought and emotion.