Literary notes about foyer (AI summary)
Writers frequently employ "foyer" as a multifaceted setting, one that serves both as a transitional space between public and private realms and as a subtle symbol of social interaction. In many narratives, the foyer becomes a stage for pivotal encounters and quiet reflections, whether it is the modest entryway to a home that leads deeper into personal life ([1]) or a bustling waiting area that hints at the ornate ambiance of cultural institutions like theaters ([2], [3]). The term also carries resonance in its original French sense—a hearth or the center of a family dwelling—adding layers of meaning that evoke warmth and history ([4], [5]). In this way, the foyer not only grounds characters in a physical space but also enriches the narrative by suggesting intimacy, transition, and occasional grandeur.
- Straight down the main hall he went and into the little foyer between the hall and Nita's bedroom.
— from Murder at Bridge by Anne Austin - We had better all go down to the foyer together, at once, for the 'speech,' and we will come up again together."
— from The Phantom of the Opera by Gaston Leroux - Thirty panels with portraits of the artists of repute in the annals of the Opera adorn this foyer.
— from The Phantom of the Opera by Gaston Leroux - foyer , m. , lieu où l'on fait le feu; maison; demeure; famille.
— from French Conversation and Composition by Harry Vincent Wann - feu , m. , amas de bois, de charbon, etc. , en combustion; foyer.
— from French Conversation and Composition by Harry Vincent Wann