The word "forms" appears in literature with a remarkable range of meanings, serving as a bridge between the concrete and the abstract. In classical poetry, for example, Homer employs “forms” to evoke the shifting and awe‐inspiring aspects of nature’s power (“dread in all its forms” [1]). By contrast, in technical treatises such as Lane’s Latin grammar texts, "forms" denotes specific linguistic structures and inflections [2, 3, 4]. Philosophers like Plato and Rousseau invoke "forms" to represent unchanging ideals and the very essence of beauty, justice, or even the natural order [5, 6, 7, 8]. Meanwhile, Darwin’s writing uses the term to highlight the diverse array of living entities that populate our world [9, 10, 11]. Across such varied contexts—from poetic imagery and grammatical precision to philosophical abstraction and scientific classification—"forms" demonstrates its versatile ability to capture both tangible and conceptual phenomena.