The term "fluster" has often been employed to evoke a state of hurried agitation or disarray, revealing the intricacies of human emotion in literature. In some works, such as in [1] and [2], characters explicitly reject disturbance yet inadvertently fall into a disorganized state, while Twain’s humorous narration in [3] captures the comedic side of being overwhelmed. Russian writers like Dostoyevsky and Chekhov repeatedly use "fluster" to mark moments of intense nervousness or confusion, as seen in [4], [5], and [6], underscoring the subtle interplay between self-possession and loss thereof in crises. Even in satirical contexts, like Rabelais’s playful twist in [7], the word serves to highlight both the absurdity and fragility of human conduct, making it a versatile descriptor that spans from earnest agitation to comically exaggerated bewilderment ([8], [9], [10], [11], [12], [13], [14]).