The term “falsity” is employed in literature to capture a spectrum of meanings—from a defect in form and logic to an inherent misalignment with reality. In philosophical contexts, authors such as Spinoza and Kant use it to denote a privation of knowledge or a flaw in argumentative structure ([1], [2], [3], [4], [5]), while in literary works, it often highlights the contrast between appearance and truth, as seen in the reflective murmurs of Tolstoy and Chekhov ([6], [7], [8], [9], [10], [11], [12]). Moreover, thinkers like Nietzsche and James further explore its role in critiquing art and cultural pretense, suggesting that falsity sometimes functions as an essential counterpoint to truth or as a tool for revealing deeper, unsettling realities ([13], [14], [15], [16], [17]). Thus, across diverse genres and eras, “falsity” emerges as a multifaceted concept used to interrogate the integrity of ideas, appearances, and human endeavors.